Hey chaps, my 464 page paperback book "Daygame" has finally been published, and is available to buy from http://www.lulu.com/shop/tom-torero/daygame/paperback/product-20437441.html.

The book is a true life account of the last three years of my dating journey, from Oxford geek to a 'professional' daygamer. It contains over 100 lay reports, plus lots of advice, tips and tricks regarding daygame knowledge.

It's only available to buy in paperback form to avoid internet piracy. The cost is ?15 ($24) and it ships internationally.

http://www.gettheguy.co.uk/ - this company teach women how to "get the guy" using Game principles (the founder is an ex pick up coach for men)

Pittsy's right - always go for the Yad Stop rather than stopping them as they come towards you. It's much more dramatic, giving them that "Hollywood moment."

TT

The Yad DVD is not released through daygame.com, it's a PUA Training product, so we don't know either when they'll release it.

However, we've got "The Yad Show" coming out in the next week or two, with monthly episodes following Yad on the streets, including plenty of infields. Keep an eye on your inbox if you're on the mailing list!

"Effortless" is all ready to go, we're just putting together the launch, should be in the next week or two, keep an eye on your inbox if you're on the mailing list for a video about it!

Tom

In the Daygame Blueprint this is lots of subtle qualification. We call it flipping the script - getting her to do the work. It's not as blatant as in night game (e.g. "tell me three interesting things about yourself?") but it's a core principle of daygame. In my opinion, apart from leading, it's the most important in fact. The person talking is the person investing.

Examples of qualification:
* making cheeky, teasing statements forcing her to invest (e.g. "I imagine Austria to be boring")
* breaking rapport by disagreeing when in conversation (a Yad speciality!)
* as soon as she's hooked, flipping the script by getting her to work....speaking less, poker face, crossing arms, not entertaining
* asking qualifying questions (How tall are you? Are you fun? etc)

Yad's known for heavy qualification. Watch his famous kiss-close video when he slams the girl for not knowing a famous Russian story about her name, or watch him make fun of Spanish girls for their shit English on the "Summer of Daygame" ones.

Watch my new infield on Youtube to see me do it with the Russian model. I make fun of her jogging, I provoke her with a Russian word that means "sickly sweet", I get her to qualify about why Russians marry young and divorce, I call her a chess player, I get her to do the talking.

Qualification in the day has to be almost unidentifiable, and increased over time slowly but surely as the set carries on  . I'll write a blog post on this as I think it's so important.

Hope that helps,

Tom

Moving sets is where the hotness lies, so it's an essential skill. Even though the "Yad Stop" is more scary to begin with, and harder to perfect, it's the one to learn as:
* it's so masculine and dramatic....she gives you mega points just for this if you get it right
* it fully stops even the fastest girls (if you give enought space)
* it gives you a buzz before you open your mouth, like a mini skydive, which is win-win for you both

Watch the "Summer of Daygame" videos on Youtube to see the "Yad Stop" explained. If it's a heavy crowd then go for the "Yosha Stop" (see website vids) but this still gives girls room to walk away before the Capture phase.

Stopping from the back, from the side, touching her or walking next to her give off a creepy vibe. They can work if you've got everything else down, but you're just starting with the wrong vibe.

Each and every stop needs to be fresh, like it's the first time. Excitement, being humble, teasing, smiling, joy-of-life....that's when the magic happens.

Tom Torero

Assumption stories explain your initial assumptions. They are like the back-story to the newsflash you've just given her, and it's the key part of the interaction where you can show your witty, cheeky, creative self. This is what builds attraction. The assumption / statement alone is not enough.

This is a very common mistake we see on the bootcamps or during coaching. The student will make a short simple assumption and hope that the girl does the rest of the work. e.g.

STUDENT: You look like you're from Italy...

HER: No, sorry, bye...

What's missing is the "because" part of the assumption, leading into the story about WHY she looks Italian. Here's how it should sound:

STUDENT: You look like you're from Italy....I like the suspiciously good tan, the sunglasses on even though it's cloudy....I could totally imagine you riding a moped through the streets of Milan, I know it's a cliche but I saw girls like you when I went last year...

HER: Haha, oh really? Actually I'm from Portugal

STUDENT: Well, I was right about the whole Mediterranean thing, the dark hair and dark eyes are very different to the English look. I love how people from hotter countries have such a relaxed vibe etc etc etc etc etc etc...

Hope that helps,

Tom Torero